audiovisual artist & filmmaker
ciucioflorinda@gmail.com
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Florinda Ciucio (Antwerp, 1993) is a visual artist and film-
maker from Belgium. She holds a Master’s degree in Film
Directing from LUCA School of Arts Brussels. After directing
short documentaries, she expanded her practice into video
art and installation.
Working with moving image, CGI, archival material, photo-
graphy and sound, her practice explores how technology and
images shape our perception of reality. Her works often fo-
cus on landscapes, memory and digital media, questioning
the distance between what is real and what is constructed,
projected or imagined.
Her work has been supported by the Flanders Department
of Culture and Arts, VOCATIO and the Flanders Film Fund,
and developed through residencies at Viafarini Milan and
Cité Internationale des Arts Paris. Her work has been pre-
sented internationally, including at LOOP Barcelona, Noor-
derlicht Biennale, Be-Part Kortrijk, Castel Belasi and Espace
Vanderborght Brussels.
CV
FLORINDA CIUCIO GREEN DOSE
GREEN DOSE
2025, 17’8”, 3-channel video installation
Produced in residency at VIAFARINI in Milan
installation view at Noorderlicht Biennale 2025
CGI: Studio Microchaos
Supported by Flanders State of Arts
DESCRIPTION
GREEN DOSE is an immersive video installation consisting
of multiple screens showing CGI-constructed landscapes
inspired by Italy’s Val di Mello region, known for its picture-
sque, almost screensaver-like scenery. A pink-noise sound-
scape simulates the sound of a flowing stream.
The work is based on a recent scientific article that recom-
mended two hours of nature exposure per week to redu-
ce stress, which is computed here as a daily “dose” of 17
minutes and 8 seconds. The work explores how nature is
increasingly framed as a consumable product, something
detached from our daily reality.
The landscapes are constructed using the same research,
which suggests that mental restoration depends on en-
countering environments that allow for exploration and
novelty.
By turning nature into something that can be measured,
prescribed like a vitamin supplement and here digitally re-
produced as well, the work questions our increasingly de-
tached relationship with the natural world.